I am reading this right now.
Which got me thinking of this show, The Adventures of Rin Tin Tin from my childhood.
What have I learned so far from reading Rinny's biography? Well, the first Rinny was brought back from France as a pup, along with Rinny's sister Nanette, by a soldier named Lee Duncan at the end of World War I. Want to know where Lee Duncan got the names? Go here.
The Pilgrimage to Santiago de Compostela is a centuries old trek across northern Spain done by following "The Camino de Santiago", the road to Santiago. Before February of 2001 I had not heard of "The Camino" nor of the Pilgrimage. By the end of October of that year I was in Santiago after completing the walk myself. I thought that when I reached Santiago my journey was over but I see now that my journey started way before I got to Spain and still has not ended.
Showing posts with label Pop Culture- Movies. Show all posts
Showing posts with label Pop Culture- Movies. Show all posts
Thursday, February 15, 2018
Friday, January 19, 2018
Wednesday, October 21, 2015
Friday, August 14, 2015
The Rocky Horror Picture Show
I'm just a sweet transvestite, from Transexual, Transylvania.
-Dr. Frank-N-Futer- A Scientist
Forty years ago today The Rocky Horror Picture Show was released.
With a bit of a mind flip...
You're into a time slip...
And nothing can ever be the same.
You're spaced out on sensation. HAH!
Like you're under sedation!
Let's do the time warp again!
-Dr. Frank-N-Futer- A Scientist
Forty years ago today The Rocky Horror Picture Show was released.
You're into a time slip...
And nothing can ever be the same.
You're spaced out on sensation. HAH!
Like you're under sedation!
Let's do the time warp again!
Monday, July 13, 2015
The Thief of Bagdad (1924)
The Thief Of Bagdad is a beautiful film with Douglas Fairbanks at his most athletic. The two and a half hours you invest in this film is well worth it.
Posters for the film are also stunning.
Posters for the film are also stunning.
Wednesday, January 07, 2015
Thursday, March 27, 2014
I'm The Pided Piper
It must be reading the numerous mentions of the phrase "consciously uncouple" on the Internet the last couple of days that has this song bouncing through my mind all morning.
-Crispian St. Peters
-Crispian St. Peters
Friday, February 07, 2014
Fifty Years Ago Sunday
CBS is celebrating the 50th anniversary of the Beatles first appearance on the Ed Sullivan Show this Sunday by broadcasting a two hour special, The Night That Changed America: The Beatles, A Grammy Salute, staring Paul McCartney and Ringo Starr. I will be recording it to watch Monday morning just to avoid all the commercials that will surely be jammed in between the performances. I can not believe it has been fifty years since the The Beatles first appeared on the Ed Sullivan Show. I won't say that it feels like it happened yesterday, just that I'm surprised it was so long ago. To commemorate this big event I have decided to re-share a post I wrote ten years ago about my experience of that night. I hope you enjoy it.
Sunday,February 8th, 2004
Quote
It'll soon shake your windows
And rattle your walls
For the times they are a-changin'.
-Bob Dylan
It was forty years ago today Ed Sullivan had the Beatles play. I remember seeing them for the first time on Ed Sullivan and I remember exactly where I was when I did. I don't remember where I was because of the event, like someone remembering exactly where they were when they first heard Pearl Harbor had been bombed or when they heard John F. Kennedy, Martin Luther King, or Bobby Kennedy had been shot. I remember the event (the Beatles on Ed Sullivan) because of where I was at the time.
It was the second Sunday in February of 1964 (February 9th) and I was in a bed on one of the wards of Denver's Children's Hospital. About five minutes before the show started a nurse reached up and turned on the TV set perched high on a shelf on the wall of the entrance to the ward. She then switched the channel to CBS. There were 20 kids in 20 beds. Ten beds side by side down one wall and ten beds side by side down the wall on the opposite side of the room. I was in the seventh bed near the end of the row of beds on the right side of the room. Every kid in that room knew who the Beatles were and could not wait to see them. The room was noisy with the chatter of 20 kids excited by what was about to happen. The chatter kept up as the acts before the Beatles performed. We did not care about them we were waiting for the Beatles. Then Ed Sullivan announced, "Ladies and Gentlemen, the Beatles!"
I remember leaning forward to see around the kids in the beds between me and the TV. My mother and four other mothers visiting at the time had wandered down to the end of the room where the set was and huddled under it watching the flickering images on the screen. I remember being mesmerized by what I was seeing. These guys looked like no one I had every seen before with their matching collar-less suits, stovepipe pants, pointy boots, and long hair. Then my mother turned her face back to the ward and looked around. (She later said that she turned around because she realized there was total silence behind her. Something she had never heard during her visits before then.) She said urgently to the other mothers, "Look at the kids. Look at their faces."
I pulled my attention away from the screen and looked at everyone else. Every kid was leaning forward like me, some farther forward than others, with mouths open and a look of rapture on their faces. I knew that a moment before I had that same look. I scowled at my mother and sat back, I wasn't there to entertain the grownups.
So, what did I think? With all my vast musical knowledge I decided they weren't that great. Their music at the time would have been considered bubble gum music a few years later. I did not become interested in the Beatles until I heard the songs off the Rubber Soul and Revolver albums. Songs like, Norwegian Wood, Nowhere Man, Eleanor Rigby, Got To Get You Into My Life. But at the same time, something about them that night was mesmerizing. Could it be that every kid in America who watched the Beatles that night subconsciously understood what the Beatles represented? That the times they were a changing.
Sunday,February 8th, 2004
Quote
It'll soon shake your windows
And rattle your walls
For the times they are a-changin'.
-Bob Dylan
It was forty years ago today Ed Sullivan had the Beatles play. I remember seeing them for the first time on Ed Sullivan and I remember exactly where I was when I did. I don't remember where I was because of the event, like someone remembering exactly where they were when they first heard Pearl Harbor had been bombed or when they heard John F. Kennedy, Martin Luther King, or Bobby Kennedy had been shot. I remember the event (the Beatles on Ed Sullivan) because of where I was at the time.
It was the second Sunday in February of 1964 (February 9th) and I was in a bed on one of the wards of Denver's Children's Hospital. About five minutes before the show started a nurse reached up and turned on the TV set perched high on a shelf on the wall of the entrance to the ward. She then switched the channel to CBS. There were 20 kids in 20 beds. Ten beds side by side down one wall and ten beds side by side down the wall on the opposite side of the room. I was in the seventh bed near the end of the row of beds on the right side of the room. Every kid in that room knew who the Beatles were and could not wait to see them. The room was noisy with the chatter of 20 kids excited by what was about to happen. The chatter kept up as the acts before the Beatles performed. We did not care about them we were waiting for the Beatles. Then Ed Sullivan announced, "Ladies and Gentlemen, the Beatles!"
I remember leaning forward to see around the kids in the beds between me and the TV. My mother and four other mothers visiting at the time had wandered down to the end of the room where the set was and huddled under it watching the flickering images on the screen. I remember being mesmerized by what I was seeing. These guys looked like no one I had every seen before with their matching collar-less suits, stovepipe pants, pointy boots, and long hair. Then my mother turned her face back to the ward and looked around. (She later said that she turned around because she realized there was total silence behind her. Something she had never heard during her visits before then.) She said urgently to the other mothers, "Look at the kids. Look at their faces."
I pulled my attention away from the screen and looked at everyone else. Every kid was leaning forward like me, some farther forward than others, with mouths open and a look of rapture on their faces. I knew that a moment before I had that same look. I scowled at my mother and sat back, I wasn't there to entertain the grownups.
So, what did I think? With all my vast musical knowledge I decided they weren't that great. Their music at the time would have been considered bubble gum music a few years later. I did not become interested in the Beatles until I heard the songs off the Rubber Soul and Revolver albums. Songs like, Norwegian Wood, Nowhere Man, Eleanor Rigby, Got To Get You Into My Life. But at the same time, something about them that night was mesmerizing. Could it be that every kid in America who watched the Beatles that night subconsciously understood what the Beatles represented? That the times they were a changing.
Monday, June 03, 2013
Double Header This Weekend
Watched
and read
Inside Daisy Clover is one of my favorite badly done movies. At times you don't know whether to cringe or break out into laughter. The musical numbers have always made me do both since they just as unskillfully done as the fashion montages and musical numbers in The Valley Of The Dolls, which, I must admit, is another one of my favorite bad movies.
The book is another matter, more grown-up, with Daisy closer to Holden Caulfield in temperament than a Dead End Kid. This makes perfect sense as the setting of the book was moved from the early 1950s to the 1930s for the movie. Why? Who knows, but I find the reason why even more unfathomable now that I know the screenplay was written by the book's author.
Tisk, Hollywood.
All in all, the book is much better than the movie version and an enjoyable read but that doesn't mean I will not be recording Inside Daisy Clover every time it is shown on TCM in the future. I still love it. Although I will be fast forwarding though the musical numbers from now on since this time I found them no longer funny but only cringe making. I am never subjecting myself to them ever again. Well, except when someone who has not see the movie before is watching it with me. I don't want that person to miss out on really, really bad movie making.
and read
Inside Daisy Clover is one of my favorite badly done movies. At times you don't know whether to cringe or break out into laughter. The musical numbers have always made me do both since they just as unskillfully done as the fashion montages and musical numbers in The Valley Of The Dolls, which, I must admit, is another one of my favorite bad movies.
The book is another matter, more grown-up, with Daisy closer to Holden Caulfield in temperament than a Dead End Kid. This makes perfect sense as the setting of the book was moved from the early 1950s to the 1930s for the movie. Why? Who knows, but I find the reason why even more unfathomable now that I know the screenplay was written by the book's author.
Tisk, Hollywood.
All in all, the book is much better than the movie version and an enjoyable read but that doesn't mean I will not be recording Inside Daisy Clover every time it is shown on TCM in the future. I still love it. Although I will be fast forwarding though the musical numbers from now on since this time I found them no longer funny but only cringe making. I am never subjecting myself to them ever again. Well, except when someone who has not see the movie before is watching it with me. I don't want that person to miss out on really, really bad movie making.
Friday, April 05, 2013
Roger Ebert (1942-2013)

"Kindness” covers all of my political beliefs. No need to spell them out. I believe that if, at the end, according to our abilities, we have done something to make others a little happier, and something to make ourselves a little happier, that is about the best we can do. To make others less happy is a crime. To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world. That is true no matter what our problems, our health, our circumstances. We must try. I didn’t always know this and am happy I lived long enough to find it out.
His Chicago Sun-Times obituary here.
Friday, February 01, 2013
Thank God It's Friday
Thank God It's Friday (1978)
Friday, thank God it's Friday,
Friday, thank God it's Friday,
Friday, Friday, Friday
Hey put a smile on your face
Things are coming your way
Out there somewhere tonight
It's the right time and place
Hey see the stars in his eyes
And the music in you
Tells you how you can find
Your way to paradise
Friday, thank God it's Friday,
Friday, thank God it's Friday,
Friday, Friday, Friday
Hey
(Hey-hey-hey)
Put a smile on your face
(Put a smile on your face, honey)
Things are coming your way
(Everything's coming your way)
Out there somewhere tonight
It's the right time and place
Hey see the stars in his eyes
(You see the stars in his eyes)
Tells you how you can find love
Hey
(Hey-hey-hey)
Put a smile on your face
(Put a smile on your face)
Things are coming your way
(Everything's coming your way)
Out there somewhere tonight (Oh, baby)
It's the right time and place
Hey, see the stars in his eyes
(All those stars in his eyes)
Tells you how you can find love
Tuesday, November 13, 2012
Going Home
Home is where the heart is.
-Unknown
I watched The Snakepit (1948), staring Olivia de Havilland as a housewife who has a mental breakdown and ends up in an insane asylum, last week for the first time in many years. The first time I saw it I was about thirteen years old and it made a big impact on me. Especially the scene where the inmates are at a dance and actress Jan Clayton starts singing the song Going Home. I cried like a baby as she sang because I knew most of the people listening and singing along were most likely never going to leave the hospital. Watching it this time I still teared up during this scene because I now understand the poignancy of it all even more than I did as a child.
In addition to watching it with older eyes this time I was also watching it with years of movie experience behind me and now have a greater appreciation of the supporting cast. At thirteen I knew who Olivia de Havilland was, recognized Celeste Homes in a small part, and was surprised to see Jan Clayton but did not know she could sing. As for the rest of the cast, well, I didn't even think of them as actors but instead saw them as real inmates in a real hospital.
Below is the scene I've been talking about and it starts with Olivia de Havilland as Virginia Cunningham talking with her Doctor who informs her she is "going to staff" which means she will soon be discharged from the hospital. In the background the melody of Going Home starts playing and then the voice of Jan Clayton is heard.
Jan Clayton (1917-1983) was, for a certain generation of Americans, the first "Lassie's Mom" on television when she played Ellen Miller on TV's Lassie from 1954 to 1957 . She started her career as a singer and was the original Julie Jordan in the Broadway production of Rodgers and Hammerstein's Carousel.
At 1:53 and 2:08 you will see a woman in the crowd who is holding her intertwined arms in front of her. That is actress Celia Lovsky (1898-1979). She was born in Vienna and moved to Berlin in 1929 where she met actor Peter Lorre. She married him in 1934 in London after which they both moved to America. She is best know by Star Trek fans for her role as the Vulcan high priestess T'Pau in the 1969 episode titled Amok Time.
The women standing to Lovsky's right is Italian born actress Inez Palange (1889-1962) who is best know for playing gangster Tony Camonte's mother in the original version of Scarface (1932).
At 2:21 there is a close-up of a crying Ruth Donnelley (1896-1982). She shows up in many movies from the 1930s and 1940s including Footlight Parade (1933) with James Cagney, Mr. Deeds Goes to Town (1936) with Gary Cooper, Mr. Smith Goes to Washington (1939) with James Stewart, and The Bells of St. Mary's (1945) with Bing Crosby and Ingrid Bergman.
Standing just to her left is a man who looks like actor Sterling Holloway. He isn't but he looks like him enough to send me on a search to find out just who he was and what other movies he had been in. He turns out to be an actor named Ashley Cowan (1921-1990) who, according to IMDB, appeared in 76 movies and/or television shows during his acting career.
As the camera pans to the left of Ruth Donnelley you can see actress Angela Clarke (1909-2010) standing on her right. I recognized her because she had small parts in two of my favorite movies from 1953, Houdini and The Wax Museum. Like most of the other actors listed she also did a lot of television work.
At 2:48 is actress Betsy Blair (1923–2009). Technically Blair wasn't a supporting actor as this role was at the beginning of her career. A few years later she would star with Ernest Borgnine in Marty (1955). At that time she was on the Hollywood Blacklist and was only allowed to do the movie when her husband, actor Gene Kelly, intervened. Her work in Marty brought her an Academy Award nomination but did nothing to help her career. In 2003 her autobiography The Memory of All That: Love and Politics in New York, Hollywood, and Paris was published.
The song has always brought up melancholic feelings for me when ever I've heard it since I connect it to this movie but for the last week the lyrics Going home, going home, I'm a going home have been going through my head or have been sung out loud by me and creating a feeling of joy and happiness. This is because the lyrics are true. One of the reasons why I've have been away from blogging so much is because my husband and I have decided to move back to Colorado. We have been looking at houses along the front range near Fort Collins and if things work out we will be back there by the middle of December. I'm going home.
-Unknown
I watched The Snakepit (1948), staring Olivia de Havilland as a housewife who has a mental breakdown and ends up in an insane asylum, last week for the first time in many years. The first time I saw it I was about thirteen years old and it made a big impact on me. Especially the scene where the inmates are at a dance and actress Jan Clayton starts singing the song Going Home. I cried like a baby as she sang because I knew most of the people listening and singing along were most likely never going to leave the hospital. Watching it this time I still teared up during this scene because I now understand the poignancy of it all even more than I did as a child.
In addition to watching it with older eyes this time I was also watching it with years of movie experience behind me and now have a greater appreciation of the supporting cast. At thirteen I knew who Olivia de Havilland was, recognized Celeste Homes in a small part, and was surprised to see Jan Clayton but did not know she could sing. As for the rest of the cast, well, I didn't even think of them as actors but instead saw them as real inmates in a real hospital.
Below is the scene I've been talking about and it starts with Olivia de Havilland as Virginia Cunningham talking with her Doctor who informs her she is "going to staff" which means she will soon be discharged from the hospital. In the background the melody of Going Home starts playing and then the voice of Jan Clayton is heard.
Jan Clayton (1917-1983) was, for a certain generation of Americans, the first "Lassie's Mom" on television when she played Ellen Miller on TV's Lassie from 1954 to 1957 . She started her career as a singer and was the original Julie Jordan in the Broadway production of Rodgers and Hammerstein's Carousel.
At 1:53 and 2:08 you will see a woman in the crowd who is holding her intertwined arms in front of her. That is actress Celia Lovsky (1898-1979). She was born in Vienna and moved to Berlin in 1929 where she met actor Peter Lorre. She married him in 1934 in London after which they both moved to America. She is best know by Star Trek fans for her role as the Vulcan high priestess T'Pau in the 1969 episode titled Amok Time.
The women standing to Lovsky's right is Italian born actress Inez Palange (1889-1962) who is best know for playing gangster Tony Camonte's mother in the original version of Scarface (1932).
At 2:21 there is a close-up of a crying Ruth Donnelley (1896-1982). She shows up in many movies from the 1930s and 1940s including Footlight Parade (1933) with James Cagney, Mr. Deeds Goes to Town (1936) with Gary Cooper, Mr. Smith Goes to Washington (1939) with James Stewart, and The Bells of St. Mary's (1945) with Bing Crosby and Ingrid Bergman.
Standing just to her left is a man who looks like actor Sterling Holloway. He isn't but he looks like him enough to send me on a search to find out just who he was and what other movies he had been in. He turns out to be an actor named Ashley Cowan (1921-1990) who, according to IMDB, appeared in 76 movies and/or television shows during his acting career.
As the camera pans to the left of Ruth Donnelley you can see actress Angela Clarke (1909-2010) standing on her right. I recognized her because she had small parts in two of my favorite movies from 1953, Houdini and The Wax Museum. Like most of the other actors listed she also did a lot of television work.
At 2:48 is actress Betsy Blair (1923–2009). Technically Blair wasn't a supporting actor as this role was at the beginning of her career. A few years later she would star with Ernest Borgnine in Marty (1955). At that time she was on the Hollywood Blacklist and was only allowed to do the movie when her husband, actor Gene Kelly, intervened. Her work in Marty brought her an Academy Award nomination but did nothing to help her career. In 2003 her autobiography The Memory of All That: Love and Politics in New York, Hollywood, and Paris was published.
The song has always brought up melancholic feelings for me when ever I've heard it since I connect it to this movie but for the last week the lyrics Going home, going home, I'm a going home have been going through my head or have been sung out loud by me and creating a feeling of joy and happiness. This is because the lyrics are true. One of the reasons why I've have been away from blogging so much is because my husband and I have decided to move back to Colorado. We have been looking at houses along the front range near Fort Collins and if things work out we will be back there by the middle of December. I'm going home.
Monday, April 30, 2012
What's The Word?
I watched The Wilby Conspiracy (1975), an action movie with a message set in Apartheid South Africa, staring Sidney Poitier and Michael Caine this afternoon. As I began watching a song I haven't thought about in a long time popped into my head, Gil Scott-Heron's 1976 protest song Johannesburg. This song was released at a time in history (before the Internet.) when government officials could keep information about its own people's struggle to end a centuries old political system that was both racist and oppressive from the rest of the world.
Gil Scott-Heron
Gil Scott-Heron
Hey!
Said, what's the word?
Tell me, brother, have you heard
From Johannesburg?
Tell me, what's the word?
Sister, woman, have you heard
From Johannesburg?
They tell me that our brothers over there are defyin' the Man
And we don't know for sure because the news we get is unreliable, man
Yes, I, I hate it when the blood starts flowin'
But I'm glad to see resistance growin'
Somebody tell me, what's the word?
Tell me, brother, have you heard
From Johannesburg?
What's the word?
Tell me, woman, have you heard
About Johannesburg?
They tell me that our brothers over there refuse to work in the mines
They may not get the news but they need to know we're on their side
Yeah, now, sometimes distance brings misunderstanding
Amen, deep in my heart I'm demanding
Somebody tell me, what's the word?
Tell me brother, have you heard
From Johannesburg?
I know that something's happening
Tell me what's the word?
Sister, woman have you heard
About Johannesburg?
And I know that their strugglin' over there, that ain't gonna free me
Yeah, but we all got to be strugglin' and if we're wanna be free
And don't you wanna be free, free?
Somebody hear!
We ought to come together
They tell me that our brothers over there refuse to work in the mines
They, may not get the news but they need to know we're on their side
Yes, I, I hate it when the blood starts flowin'
But I'm glad to see resistance growin'
Somebody tell me, what's the word?
(Johannesburg!)
So, what's the word?
(Johannesburg!)
So, what's the word?
(Johannesburg!)
So, what's the word?
(Johannesburg!)
Get from the drum
(Johannesburg!)
Say, haven't you hear?
(Johannesburg!)
You got to get one
(Johannesburg!)
Somebody, tell me what's happening
In Johannesburg
LA's like Johannesburg
New York like Johannesburg
Freedom's ain't nothing but a word
Ain't nothing
Said, what's the word?
(Johannesburg!)
So, what's the word?
(Johannesburg!)
Say, haven't you heard?
(Johannesburg!)
Somebody tell me what's happening
In Johannesburg
(Garbled)like Johannesburg
Detroit's like Johannesburg
Freedom ain't nothing but a word
Ain't nothing but a word
Let me see your ID
Let me see your ID
To prove that you...
Labels:
Pop Culture- Movies,
Pop Culture-Music,
Society
Friday, April 27, 2012
Wednesday, April 04, 2012
Movie Magic
A man named Jeff Desom took all the courtyard scenes from Rear Window (1954) and put them together to recreate the entire courtyard in one master shot. Watch as the events of the next four days and three nights unfold in sequence and in under three minutes.
Rear Window Timelapse from Jeff Desom on Vimeo.
Desom explains how he did it here.
Rear Window Timelapse from Jeff Desom on Vimeo.
Desom explains how he did it here.
Tuesday, March 13, 2012
Spring Fever
It's 80 degrees Fahrenheit!
(Spring fever, love is in the air
Spring is everywhere)
A little bird, he told me so
He said come on, get on the go
Open your eyes, the sky is full of butterflies
The blossoms on the trees, stir up the honey bees
Spring makes my fever right
Spring fever
Spring fever, spring is here at last
Spring fever, my heart’s beating fast
There is no doubt now love is in the air
Get up, get out spring is everywhere
Well if you feel, that wanderlust
Just grab a car or hop a bus
In every town, there’s excitement to be found
So much is happening
Don’t miss the joy of spring
The world’s in love just look around
Spring fever, comes to everyone
Spring fever, it’s time for fun
There is no doubt now, love is in the air
Get up, get out spring is everywhere
Spring fever, it’s spring fever time
Spring fever, watch that fever climb
There is no doubt now love is in the air
Get up, get out spring is everywhere
Spring is everywhere
Friday, December 09, 2011
Sparkle, Shirley, Sparkle! (part 5)
In July of 1936 20th Century Fox released Poor Little Rich Girl. This was the twelfth movie eight-year-old Shirley Temple had made since Stand Up And Cheer a little over two years earlier. This movie is about when I became disappointed with Shirley Temple movies. This was because by this point Shirley Temple was no longer a real child in her movies but an adult's version of what a child should be- which seems to be a miniature adult. That's not her fault but the fault of the studio and the people around her. The song she sings with Alice Faye and Jack (The Tin Man) Haley, But Definitely, is an example of this troubling to me trend.
But Definitely from Poor Little Rich Girl (1936)
But this movie wasn't as bad as the movies after it. I did not like Wee Willie Winkie (1937), I did not like Heidi (1937), I did not like Rebecca Of Sunnybook Farm (1938), and I especially did not like The Blue Bird (1940). Then one night I watched The Bachelor And The Bobby-Soxer (1947) and there she was, the Shirley Temple I loved in Little Miss Marker. In The Bachelor And The Bobby-Soxer Shirley played a teenager who develops a crush on an artist played by Cary Grant.
Not one false note in the whole movie.
But Definitely from Poor Little Rich Girl (1936)
But this movie wasn't as bad as the movies after it. I did not like Wee Willie Winkie (1937), I did not like Heidi (1937), I did not like Rebecca Of Sunnybook Farm (1938), and I especially did not like The Blue Bird (1940). Then one night I watched The Bachelor And The Bobby-Soxer (1947) and there she was, the Shirley Temple I loved in Little Miss Marker. In The Bachelor And The Bobby-Soxer Shirley played a teenager who develops a crush on an artist played by Cary Grant.
Not one false note in the whole movie.
Thursday, December 08, 2011
Sparkle, Shirley, Sparkle! (part 4)
In July of 1935 when Shirley Temple was seven Fox released Curly Top. She was truly a star by now and the movie reflected this fact by including lots of close-up of her face including the opening scene where the camera stays on her face for over a minute. I find this interesting as by now the naturalness of Shirley's movie style is starting to disappear. It seems her mother mapped out every move her daughter made; how to walk, talk, sit, run, how to say her lines, and what facial expressions to use. This explains why she uses a frowny face so much in this movie, someone must have found it adorable. Even with interference from her mother Shirley's natural cuteness and charm cannot be repressed and still shines though. This film introduced the other song most closely identified with Shirley, Animal Crackers In My Soup.
Animal Crackers In My Soup from Curly Top (1935)
Animal Crackers In My Soup from Curly Top (1935)
Wednesday, December 07, 2011
Sparkle, Shirley, Sparkle! (part 3)
In December of 1934 Fox Film Corporation released Bright Eyes, the first film that gave Shirley Temple top billing. It also introduced her first big hit song. This was the tenth and last film Shirley made in 1934 and the fourth one after Little Miss Marker. With all that camera time under her belt it is no wonder that she moves with such confidence and poise. At at the same time you can tell that she is only a six-year-old child. A talented six-year-old child but a child just the same. Below is Shirley's big musical number, On The Good Ship Lollipop. Alongside her is her old friend James Dunn. The other men are supposedly members of the University of California football team.
The Good Ship Lollipop from Bright Eyes (1934)
The Good Ship Lollipop from Bright Eyes (1934)
Tuesday, December 06, 2011
Sparkle, Shirley, Sparkle! (part 2)
One month after the release of Stand Up And Cheer Paramount Pictures released Little Miss Marker(1934), which was based on the Damon Runyon short story of the same name. Shirley has a bigger role in this movie than she did in Stand Up And Cheer and her billing had jumped from seventh to fourth. As I said before this is my favorite Shirley Temple movie with the five or six-year-old playing a little girl who becomes cynical and "tough" after hanging around Broadway gamblers and gangsters . Below is the only song Shirley sings in the movie, Laugh You Son Of A Gun. The woman singing with her is nineteen-year-old Dorothy Dell. Dell was scheduled to star in another movie with Shirley Temple right after this one (Now And Forever, 1934) but was killed in a car accident a few days after Little Miss Marker reached the theaters.
Laugh You Son Of A Gun from Little Miss Marker (1934)
Laugh You Son Of A Gun from Little Miss Marker (1934)
Subscribe to:
Posts (Atom)









